Carl Perkins
Honey Don't
Carl Perkins' "Honey Don't" isn't just a catchy rockabilly tune – it's a study in conflicting emotions and the complexities of love. Released in 1956 as the B-side to his iconic "Blue Suede Shoes," "Honey Don't" has carved its own niche in music history, becoming a beloved classic covered by artists like the Beatles and influencing countless others.
A Song of Mixed Signals:
Written solely by Perkins himself, "Honey Don't" presents a rollercoaster of feelings for the narrator. The opening lines establish the central conflict: "Well how can you say you will when you won't / Say you do, baby, when you don't?" This sets the stage for a song riddled with mixed signals. The lyrics swing between declarations of love ("I love you, baby, and you ought to know") and frustration with the object of his affection ("You've been out painting the town / Uh baby, been stepping around").
Duality in Every Line:
The song's brilliance lies in its ability to portray love's duality. Lines like "If it's in a batch you were so doggone sweet" showcase the initial attraction, but then it's undercut with "You got that sand all over your feet," hinting at a night spent elsewhere. "Sometimes I love you on a Saturday night / Sunday morning, you don't look right" perfectly captures the fleeting nature of affection and the disappointment that follows.
Beyond the Surface:
Perkins doesn't delve into the reasons behind the mixed signals. Is it infidelity? Is the woman playing hard to get? Leaving it open to interpretation allows listeners to project their own experiences. This ambiguity adds a layer of universality, making the song relatable to anyone who's ever loved someone who seemed hot and cold.
Rockabilly with a Heartbeat:
Musically, "Honey Don't" is pure rockabilly. Perkins' energetic guitar playing lays the foundation, and the driving rhythm section keeps the energy high. However, beneath the surface lies a vulnerability that sets it apart from other rockabilly anthems. The pleading vocals and the song's structure, constantly veering between love and doubt, create a sense of emotional turmoil.
Recording and Release:
Interestingly, "Honey Don't" wasn't planned as a B-side. Perkins recorded it at Sun Studios in December 1955, alongside "Blue Suede Shoes." Sun owner Sam Phillips initially intended to release two country-tinged songs by Perkins as the A-side, but upon hearing the energy of "Blue Suede Shoes" and "Honey Don't," he made the now-legendary switch.
Chart Performance and Legacy:
While "Blue Suede Shoes" soared to number one on the Billboard country chart, "Honey Don't" didn't see the same commercial success. However, its influence is undeniable. The Beatles were huge fans, covering it multiple times and even performing it with Perkins himself in 1985. Other notable covers include versions by Ronnie Hawkins, the Stray Cats, and Johnny Rivers. The song has also been featured in films like "Diner" and "Prince of Tides."
A Song That Resonates:
"Honey Don't" isn't just a rockabilly song – it's a timeless exploration of the complexities of love. It captures the confusion, frustration, and hope that come with loving someone who seems unsure. This raw honesty and relatable emotions have ensured "Honey Don't" continues to resonate with listeners over six decades later.